Most prominent in your posts is your need for (and projection of) morality. Or right and wrong. Of what is ‘actualist’ and what is not. And your attempts at enforcing these standards.
Further, one particularity of religion (over morality) is that it separates the sacred and the profane in the world. Some things are separated from the rest and deemed sacred, the others are deemed profane. Foods, places, objects, art… music.
If you’re looking for a religion, you’re not going to find one here - except the one you’re making yourself.
In this attempted religion of actualism, ‘sacred’ music is defined by you as music “reflecting the sensate world”. This ‘sensate world’ is then something like a God, whose light can only be reflected - by certain things: the sacred things. Certain music, certain art, “reflect the sensate world”, and other don’t. So there is actualist music, and non-actualist music. Also actualist art, presumably. Food, why not… Clothes?
But there is no separation in the actual world. It’s like Richard pointing out that a polystyrene cup is no less ‘natural’ than anything else. There are no things that are more actual than others things. ‘Things’ are all apprehended by the senses. All music is sensate… vibrations of air molecules. If there is emotion, it’s only in the listener.
You then ask for a “separate” () music thread that “represents actualism”… music “that is not composed to evoke emotions”. So it’s about the intention of the composer then? What if some actualist went on to make actualist music (?), and that music still evoked emotions in the listener? Would it then fail as actualist music? Or do we just take the composer’s word for it? Like some priest?
What kind of music would not fail that test by the way, I wonder, seeing that everybody is a feeling-being, who is feeling all the time, whatever music may or may not be playing - and those who are not feeling-beings will not have any emotions evoked by any music anyway.